Written shortly after Whiteley's Archibald & Sulman prize win in January 1977. Summer at Carcoar Brett Whiteley 1977. Abstract: `Prizes, Rivers and More Prizes' by Sandra McGrath, pg. A photograph of a youthful Brett Whiteley also accompanies this article. The Balcony 2 Brett Whiteley 1975. . While the Archibald Prize never failed to stimulate debate, controversy yet again loomed when, in 1976, Brett Whiteley won with his painting Self Portrait in the . His last studio and home - 2 Raper Street, Surry Hills in Sydney - is now a museum managed by the Art Gallery of New South Wales. Warning: Smoking has been linked to some of the most powerful images of the twentieth century an MPRG exhibition. Were not looking at a would-be genius or a sinful penitent. gelatin silver photograph on paper (sheet: 50.4 cm x 40.4 cm, image: 45.2 cm x 30.8 cm) Brett Whiteley AO (1939-1992), artist, displayed a brilliant talent for drawing as a Sydney schoolboy. This long oil and ink self-portrait incorporates fluid lines building to a sense of rapture, intoxication and playfulness. Jane Hampson, Look, 'wwwhiteley.com', pg. For portraiture to survive, especially self-portraiture, there has to be a deepening quality of self-revelation. Robert Hughes, art critic for 'Time' magazine was quoted several times throughout this article. Museum of Applied Arts and Sciences, Ken Done: The Art of Design, Sydney, 1994, 32 (illus.). He was the subject of an ABC television documentary called Difficult Pleasure directed by Don Featherstone in 1989, which showed him talking about many of his main works, and his recent works such as ones done during a month-long trip to Paris; one of his last overseas trips. Look at these paintings and examine how Whiteley has given us clues to his identity. Born: Longueville, Sydney, New South Wales, Australia 07 Apr 1939, Died: Thirroul, Wollongong, New South Wales, Australia 15 Jun 1992, Brett Whiteley in North Sydney house, date unknown, by Robert Walker Estate of Robert Walker. WikiZero zgr Ansiklopedi - Wikipedia Okumann En Kolay Yolu Jill Sykes (Editor), Look, 'What's on elsewhere', pg. His second Archibald prize, Art, Life and the other thing, shows his willingness to experiment with different media such as photography and collage. List of works. card no. He did paintings of the areas around Bathurst, Oberon and Marulan, all in New South Wales. 'The balcony 2' is one of his most evocative harbour paintings, encapsulating key elements of Whiteley's art fluent draughtsmanship, an erotically charged curvilinear line and an ability to invest minimal brushstrokes with multiple associations. 34, Sydney, 17 Jun 1992, 34. unknown author., The Sydney Morning Herald, 'Mirror image a winner for artist Whiteley', Sydney, 22 Jan 1977, (illus.). In this clip from the 1965 documentary 'The Australian Londoners', Brett Whitele. This article refers to Whiteley winning both the Archibald and Sulman prizes in 1977. After studying desultorily at art school he travelled to Europe on ascholarship. Andrew Sayers, Australian art, 'Icon and abstraction 1951-68', pg. Edmund Capon AM, OBE and Jan Meek (Editors), Portrait of a Gallery, 'Australian 20th Century Art', pg. [4], In June 1991, Whiteley was appointed an Officer of the Order of Australia. Imagine an ideal studio space that would help you to create art. Bruce James, Art Gallery of New South Wales handbook, 'Australian Collection: Painting and Sculpture', pg. Reading from left to right, it begins with an exploding sun from a portrait of Yukio Mishima that Whiteley had started but never completed. (age29in1975), Brett Whiteley This article appeared in the 'Arts Australian' section of 'The Australian' newspaper. 20-21, Heidelberg, May 1997, 21 (colour illus.). Whiteley painted other images of the Australian landscape, including a view of the south coast of New South Wales after it had been raining called The South Coast after rain. 28-29, Sydney, 09 Sep 1995, 28-29. Shop with Afterpay on eligible items. Jane Fraser., The Australian, 'Tribute to Whiteley looks back with love', Sydney, 07 Jul 1992, 3 (illus.). Shown in 22 exhibitions. Free entry, Find out what you need to know before visiting, Archibald, Wynne & Sulman Prizes for 1976, A Different Vision - Brett Whiteley Sculptures (1998), Australian icons: twenty artists from the collection, To look within: Self portraits in Australia. . Kristin Williamson., The national times: Australia's national weekly of business and affairs., 'Brett Whiteley - Portrait of a Genius', Sydney, 25 May 1980-31 May 1980, 28-32 (illus.). Find more prominent pieces of self-portrait at Wikiart.org - best visual art database. card no. Portraiture shouldnt just be paint and canvas. Michaela Boland., The Weekend Australian, 'Whiteley's ex-wife ready to fight forgeries', Canberra, 06 Nov 2010-07 Nov 2010, (colour illus.). One suspects a touch of trichophilia a fetishising of hair with vague sexual overtones. He . From $32.10. Mervyn Horton (Editor), Art and Australia [vol. ), 162 (colour illus.). As he said: "To draw animals, one has to work at white heat because they move so much, and partly because it is sometimes painful to feel what one guesses the animal 'feels' from inside." Brett Whiteleys 'Self portrait in the studio exudes a sense of sumptuous living and the liquid presence of the harbour through what he called the ecstasy-like effect of ultramarine blue. The competitions are run annually, with the award ceremonies being held at the Art Gallery of New South Wales. Returning to Sydney in 1956, he starting working as a commercial artist in the studio of the Lintas Advertising Agency in Sydney, began life-drawing classes at the Julian Ashton Art School and occasionally joined John Santrys sketch club, through which he came to know the Australian landscape painter Lloyd Rees, who was a strong influence. AU $100.00. Sandra McGrath., The Australian, 'The making of an authentic genius', Sydney, 24 Jan 1977, 8 (illus.). Email clairem@ag.nsw.gov.au. Philip McIntosh. Barry Pearce and Alec George, 9 Shades of Whiteley, '5: Portraits', pg. Related research topic ideas. In 1976 he won both the Archibald Prize for portraiture and the Sulman Prize for genre painting and, the following year, the Wynne Prize for landscape. Janet Hawley, Artists in conversation, Richmond, 2012, viii (colour illus.). Fixed: Release in which this issue/RFE has been fixed.The release containing this fix may be available for download as an Early Access Release or a General Availability Release. Jill Sykes, Look, Barry Pearces next book-call it segueing with intent, pg. Andrew Sayers, To look within: self portraits in Australia, 'The artist's self-portrait in Australia', pg. The balcony 2 Brett Whiteley 1975 116.1981. Whiteley's sculpture, Nude (1962) Brett Whiteley AO (7 April 1939 - 15 June 1992) was an Australian artist. . This article was edited by Sally White. Verbal and visual in Brett Whiteley", "Translating an imagetext: verbal and visual self-representation in Brett Whiteley's Interior, Lavender Bay", Brett Whiteley's friend and colleague George Sheridan webpage, https://en.wikipedia.org/w/index.php?title=Brett_Whiteley&oldid=1142217923, This page was last edited on 1 March 2023, at 04:16. In his self-portraits, the artist reveals layers of himself and defines portraiture as something beyond the physical self to include his environment, personal and artistic influences, whether affirming or self destructive. Excerpt from the film 'The Australian Londoners' directed by Stefan Sargent. The coroner's verdict was 'death due to self-administered substances'. Greg Weight (b. Barbara Konkolowicz, Look, 'Big Blue Sydney Harbour Through The Eyes of Artists', pg. Sarah Engledow describes the fall-out once Brett Whiteley stuck Patrick Whites list of his loves and hates onto his great portrait of the writer. [18], In 1999, Whiteley's painting The Jacaranda tree (1977), which had won the Wynne Prize, sold for A$1,982,000,[19] a record for a modern Australian painter at that time. Birds and heroes people Brett Whiteley's art. One could be cynical about these additions, seeing them as pictorial short cuts that saved a lot of time and effort, but its entirely plausible Whiteley was motivated solely by inner necessity or at least, his own, idiosyncratic version of the concept. 213-236, Sydney, Summer 1982, 235 (colour illus.). I remember having this very, very powerful sense that my destiny was to completely give myself to painting that I would be a painter and it was a remarkable moment of knowing that. The glamorous Whiteleys marriage was fiery, and their inevitable separation added to the artists problems with substances and self-doubt. Brett Whiteley, Self-Portrait in the Studio (1976) In 1976, Brett won the Archibald Prize for his painting Self Portrait in the Studio. He then turned to series of paintings of waves, interiors, the harbour, and coastal landscapes. Self portrait in the studio, 1976. . 8-14, Sydney, 1986, 14, 42 (colour illus.). It shows Brett Whiteley looking at himself intently in the mirror and recording exactly what he sees. ), 6-7. 6-7, Sydney, 1981, 6, 25 (colour illus.). ), 198, 209 (illus.). I agree to terms and conditions. 40, No. Purchased by the New South Wales State Government 1994, transferred to the Gallery 1998 Wendy Whiteley, Brett Whiteley, 'Self portrait drawing calligraphically', 1975, Brett Whiteley Studio Collection Wendy Whiteley, Brett Whiteley, 'Self portrait', Brett Whiteley Studio Collection Wendy Whiteley. Whiteley looks out at us directly, with none of the emotional address of his early Van Gogh style portrait, none of the mock decadence of 1976, or the drug-fuelled angst of 1978. 34-35, Australia, Sep 1991, 34-35 (illus.). On 23 November 2017 the book was named the people's choice winner at the Mark and Evette Moran NIB Literary Award. The exhibition includes nine phases of Whiteley's art: Early Works, Abstraction, Bathroom Series, Christie and London Zoo Series, Lavender Bay, Portraits . Whiteley discussing his paintings at home in Sydney., Age, 'Portrait of the artist as a winner', Melbourne, 25 Jan 1977, 2. Dr. Virginia Keeney is photographed examining Whiteley's self portrait. This painting won the Archibald Prize in 1976 and was acquired by the Gallery in 1977. Jill Sykes, Look, 'McCulloch's Encyclopedia', pg. ), 81. In the midst of such inner turmoil, the Self-portrait of 1977, is a remarkably straight work a still point in a stormy decade. Published in Deutscher and Hackett: IMPORTANT AUSTRALIAN + INTERNATIONAL FINE ART, Braving Time: Contemporary Art in Queer Australia. 201-202, North Ryde, 2010, 202 (colour illus.). 9, Sydney, 07 Sep 2013, 9. from The New York Times: The National Portrait Gallery is an Australian Government Agency, gelatin silver photograph on paper (, The National Portrait Gallery respects the artistic and intellectual property rights of others. Brett Whiteley is photographed by Robert Walker at. In London he excited art dealers and fell under the influence of painters such as Francis Bacon. Brett said he had wanted it to scare himself straight. [1]. (1939 - 1992) SELF PORTRAIT, 1977. oil and hair on canvas. Art market auction sales from the 1970s to 2023 for 3,338 works by artist Brett Whiteley (1939-92), and values for over 18,000 other Australian and New Zealand artists. Sandra McGrath, Brett Whiteley, 'Lavender Bay: Optical Ecstasy', pg. The Brett Whiteley Studio (Editor), Big blue: the painted harbour (list of works), Sydney, 1997. It was a daring, overt reference to a drug habit that many of Whiteleys admirers expected to cut short his career. Elwyn Lynn, The Independent Monthly, 'Luscious Ornaments', pg. In 1991 he was awarded an Order of Australia. Appearing in the 'Special Exhibiton' section. Brett Whiteley AO (7 April 1939 15 June 1992) was an Australian artist. Closed Good Friday & Christmas day The original painting, done between 1972 and 1973 was composed of many different elements and on 18 wood panels 203cm 1615cm 9cm. Laurie Hergenhan (Editor), The Australian Short Story: A Collection 1890s - 1990s, St. Lucia, 1986, cover page (colour illus.). The music will be written by Elena Kats-Chernin, with a libretto by Justin Fleming. Ink on Torn Reassembled Paper 65x60cm 6-7, Melbourne . Open daily unknown author., Adelaide News, 'Two top art prizes to Whiteley', Adelaide, 21 Jan 1977. Charles Green, Peripheral vision: Contemporary Australian art 1970-94, Drummoyne, 1995, 7. Brett Whiteley was born in Sydney on 7 April 1939. 100-111, London, 1998, 108 (colour illus.). It might be argued that the hair is an affectation Whiteley used too frequently for comfort. (Whiteley 1979: 1) Whiteley also made images of the beach, such as his yellowish painting and collage work The beach II, which he painted on a brief visit to Australia before his return to London and his winning of a fellowship to America. Whiteleys art was intimately connected to his tumultuous, creative life. He . plate no. The Self-portrait of 1977 represents a far less theatrical attempt at self-reflection. He remembers the artist as vital and engaging, definitely one of the most imaginative and energetic individuals I have known. . 102-181, Sydney, 1999, 167 (colour illus.). The illustration in this publication is a detail of this image. Brett Whiteley's 'Self portrait in the studio' exudes a sense of sumptuous living and the liquid presence of the harbour through what he called the ecstasy-like effect of ultramarine blue. Shop today! [23], The book was longlisted for a Walkley Book Award and Australian Book Industry Award, and shortlisted for the Australian Book Design Awards and the Mark and Evette Moran Nib Literary Award. In 1972-73 Whitley produced another monumental work "Alchemy", described by Pearce as another self-portrait but without the fierce political agenda of its predecessor. Thomas Keneally, Australia, 'Dead heart / live heart', pg. unknown author., The Australian, 'A buzzing, excited pitch', Sydney, 24 Jan 1977, 8. unknown author., The West Australian, 'Controversy likely over art winner', Perth, 22 Jan 1977, (illus.). gelatin silver photograph on paper (sheet: 50.4 cm x 40.4 cm, image: 45.2 cm x 30.8 cm) Brett Whiteley AO (1939-1992), artist, displayed a brilliant talent for drawing as a Sydney schoolboy. Brett Whiteley and the lyricism of the drawn line - in pictures . [25], In August 2018, Opera Australia announced that it had commissioned an opera to be based on the life of Brett Whiteley. The Hotel Chelsea displayed several of Whiteley's paintings from the time he lived there, including Portrait of New York which was hung behind the reception desk.[7]. 9-13, Cammeray, (1995-1996), 9-13. Brett Whiteley. Archibald Prize: Brett Whiteley - Self Portrait in the Studio; John Moores Painting Prize - John Walker for "Juggernaut with plume - for P Neruda" Exhibitions. A photograph of Alan Lloyd, head of conservation at the Art Gallery of NSW, examining a detail of Whiteley's painting also accompanies this article. Apart from attending evening drawing classes and sketch clubs, he was largely self-taught. He also painted the darling harbour and the opera because he lived in sydney. [1] He held many exhibitions, and lived and painted in Australia as well as Italy, England, Fiji and the United States. Edmund Capon AM, OBE and Jan Meek (Editors), Portrait of a Gallery, 'Australian 20th Century art', pg. Similar to Brett Whiteley's other major paintings of this period, 'Self-portrait in the studio' exudes a sense of sumptuous living and the liquid presence of the harbour through what he called 'the ecstasy-like effect of Ultramarine blue'. AU $100.00. He was aware of the harm he was doing to himself with his drug addiction, but worried that giving it up might impair his creativity. 109. Self portrait in the studio Brett Whiteley 1976 1.1977 Winner - Archibald Prize 1976 On display . Barry Pearce, Head Curator of Australian Art, Art Gallery of New South Wales said: 'this is an opportunity to bring together a selection of works influenced by, or in tune with, a special Asian aesthetic that began to infiltrate Australian visual culture during the 1960s, in particular the brushwork of Chinese and Japanese calligraphy. Jane Scott, Barry Pearce and Wendy Whiteley, Brett Whiteley: Connections, 'Brett Whiteley: Connections', Healesville, 2010, (colour illus.). The work experimented with warping and manipulating a straight self-portrait, incorporating his pictorial sense of addiction. Why did that particular work gain your attention? He died following an overdose of heroin in a motel in Thirroul, NSW in the winter of 1992. This appeared in the `Arts' section of `The Australian Supplement'. It started with a peaceful, dreamlike, serene ocean scene on one side, that worked its way to destruction and chaos in a mass of lighting, red colours and explosions on the other side. WHITELEY, Brett (1939-1992) 'Self Portrait at 36, Comedown,' c1975. It was written with unprecedented behind-the-scenes access, and illustrated with classic Brett Whiteley artworks, rare notebook sketches and candid family photographs. After meeting Bryan Robertson, the director of the Whitechapel Gallery, Whiteley was included in the 1961 group show 'Recent Australian Painting,' where his Untitled red painting was bought by the Tate Gallery. 1 whit.jpg. Almost too brutally honest, it seemed like the final flaring of a dying star. In 1999, Brett's mother Beryl Whiteley (19172010) founded the Brett Whiteley Travelling Art Scholarship in memory of her son. The second painting has a completely different tone. 1927 Mrs Annie Murdoch by G. W. Lambert. Alivea Goncalves Stevenson told of her family's relief that a suspect is in custody for her sister, Kaylee's, brutal murder on November 13. You entered the wrong email. This article appears in the 'Focus' section of the newspaper. 'Self Portrait in Studio' was created in 1976 by Brett Whiteley in Fauvism style. The Art Gallery of New South Wales has brought together 116 of Whiteleys works, from detailed landscapes to nude studies, that demonstrate the critical role of drawing something Whiteley called a completely un-rehearsable and unrepeatable visual truth in the artists creative practice, Brett Whiteley: Drawing Is Everything is showing at the Art Gallery of New South Wales until 31 March 2019, Thu 27 Dec 2018 21.53EST His paintings during these years were influenced by the modernist British art of the sixties particularly the works of William Scott and Roger Hilton and were of brownish abstract forms. He painted a series of paintings based on these events, including Head of Christie. 23, Sydney, 2008, 3, 22 (colour illus. Zo Ross (Editor), Eyewitness travel guides: Australia, 'Botanic gardens and the Domain', pg. Brett Whiteley AO (19391992), artist, displayed a brilliant talent for drawing as a Sydney schoolboy. 239-240, Sydney, 2000, 256 (colour illus. 9. 25 May - Opening of exhibition of color photography by William Eggleston at the Museum of Modern Art, New York. Difficult pleasure is how he described painting, or creating art stating, "Painting is an argument between what it looks like and what it means. signed lower right: brett whiteley. Expressive, lively and playful, Brett Whiteleys sketches and drawings not only provided the foundations for his paintings, sculptures and prints, they also demonstrate the joy of capturing a moment on paper, indulging in an idea or creative concept. It premiered at the Sydney Opera House on 15 July 2019. The artists face reflected in a tiny mirror suggests the influence of Eastern art in the portrayal of man as merely a small part of a much larger landscape. Brett Whiteley Art & Life (1995-1996), Art Gallery of New South Wales, Sydney, 16 Sep 1995-19 Nov 1995 Brett Whiteley Art & Life (1995-1996), Museum and Art Galleries of . This is a repeated advertisement for an art book titled `Brett Whiteley' by Sandra McGrath. The Brett Whiteley Studio, Brett Whiteley: Interiors, Sydney, 2001. Unlike 'Self portrait in the studio, critics were divided about 'Art, life and the other thing, perhaps because of its sensationalism and lack of subtlety compared to the earlier work. The Conceptual Frame Work- Brett Whiteley 'Self Portrait in the studio' 1039 Words; 3 Pages; The Conceptual Frame Work- Brett Whiteley 'Self Portrait in the studio' The symbols:He has used a variety of line, round and curvy in some areas but straight in others. Whiteley became active in the great peace movements of the 1960s, with the protests against America's involvement in the war in Vietnam. [24] The paperback, featuring a new cover, was released in 2017. Brett Whitely (7 April 1939 - 15 June 1992) Look closely at the work and find the signs and symbols Whiteley uses to represent himself as an artist. He won the Wynne Prize again, in 1984, with The South Coast after rain. Brett Whiteley - portrait 1 1975 Greg Weight. By vintage wall art. High quality Art Print. 2-4, Sydney, 2001, 8. . Robert Walker, Gift of the Robert Walker family 2008, Brett Whiteley, 'Art, life and the other thing', 1978, Art Gallery of New South Wales. from The New York Times: Clinton had borrowed from his proposals to make public colleges free. His last studio and home at 2 Raper Street, Surry Hills in Sydney is now a museum managed by the Art Gallery of NSW. In these pictures the influence of Matisse reaches its apogee. 8 in education pack. Untitled (Bird) Brett . It was these abstract works which led to him being recognised as an artist, at a time when many other Australian artists were exhibiting in London, but from 1963 he moved away from abstraction towards figuration. Terry Ingram., The Australian financial review, 'Market may see "secret" paintings', Sydney, 14 May 1993, 7 (illus.). Terry Ingram., The Australian financial review, 'Sir John's art fetches $42,000', Sydney, 24 Aug 1981. He started drawing at a very early age. ), 232. plate no. Richard Cotter, Change and continuity; 20th Century Australian History, South Yarra, 1998, 177 (colour illus.). [4] In 1962, Whiteley married Wendy Julius. The quality which unites them is a fluid energy of the brush, extending through the media of ink, watercolour and oil paint, reflecting a lyrical response to the calligraphic style. ), 24. Brett Whiteley Art & Life (1995-1996), Art Gallery of New South Wales, Sydney, 16 Sep 1995-19 Nov 1995. . 174-195, Oxford, 2001, 190 (colour illus.). In the former, Whiteleys face appears in a hand-held mirror, as one small feature on a large, luxuriant ground of deep blue. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present. She's this decade's Miss Popularity among major cities, the prom queen of the southern hemisphere. A bald psychiatrist, Dr. Charles Berg, wrote an entire book in the subject: The Unconscious Significance of Hair (1951). This article is accompanied by a photograph of John Olsen looking at a section of Whiteley's prize-winning painting. In London he excited art dealers and fell under the influence of painters such as Francis Bacon, of whom he later made a series of portraits. Self Portrait at 36, Comedown, C. 1975 Ink on torn reassembled . Tributes to Brett Whiteley collectively written by Stuart Purves; director of Australian Galleries, Doug Hall; director of Queensland Art Gallery, Colin Lanceley; artist, Mary Eagle and Andrew Sayers; curators of Australian Art at the Australian National Gallery, and, Paul Delprat; Principal of The Julian Ashton Art School. 81-82, Port Melbourne, 1998, 82 (colour illus.). Whiteley's self portrait is compared with Velaquez's of 1656, and Manet's of 1879. The resulting work was called The American dream, an enormous work that used painting and collage and anything else he could find on the 18 wooden panels. 13-35, Sydney, 1988, 32, 34-35 (colour illus.). He had many shows in his career, and lived and painted extensively in Italy, England, Fiji and the United States. Brett Whiteley is one of Australias most celebrated artists. 36. 1976 Self Portrait in the Studio 1978 Art, Life and the other thing Wynne Prize 1977 The . His first Archibald award, Self portrait in the studio, in deep bluish tones, shows an image of his studio at Lavender Bay overlooking Sydney Harbour, with his own reflection in a mirror shown at the bottom of the picture; a view of Sydney Harbour on the left establishes the location of the picture. Nevertheless, within this perceived enlightened sense of judging, the Trustees reverted to traditional form with the award going to William Pidgeon in 1961 for Rabbi Dr I. Porush. Typically, the viewer is led deeper into the picture by means of minute detail. Richard Wherrett, Sydney Theatre Company Limited Ninth Annual Report 1987, Sydney, 1987, front cover (colour illus.). Alec George, Look, 'Whiteley's 'inner paddock', pg. Anne Ryan, Look, 'Drawn to the line', Sydney, Jan 2019-Feb 2019, 34 (colour illus.). He won the international prize at the second Paris Biennale for Young Artists in 1961, and married his beautiful . He then gifted it to the current owner who had it reassembled. Jane Scott, Barry Pearce and Wendy Whiteley, Brett Whiteley: Connections, 'Brett Whiteley: Connections', Healesville, 2010. Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons. This painting won the Archibald Prize in 1976 and was acquired by the Gallery in 1977. In 1970 he was invited to work in the consciously creative Yellow House with Martin Sharp, Brett Whiteley, George Gittoes and Peter Kingston, photographing its artists, installations and activities and there mounting his first exhibition, a series of photographs of the Cronulla sand dunes. He believed he had a gift he needed to share with everyone but couldnt escape his habitual self-centredness. . We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands. 3), 'Collecting international art', pg. 190-210, Cambridge, 1988, cover (illus. The National Portrait Gallery respects the artistic and intellectual property rights of others. Subtitled; An extraordinary life. One image which uses van Gogh's style in a unique way is The night caf (197172). (1974) The balcony 2 (1975) and Interior with time past (1976 . 86. He left Australia for Europe on 23 January 1960.[4]. 47-49, Sydney, Nov 2008, 47 (colour illus.). the attraction of drawing is that there is an immediacy and freshnessnot so much that its simple, or reduced its just brief, beautifully brief.Brett Whiteley, Difficult Pleasure. The absorbing detail of the first painting has disappeared, as the artist withdraws into his own head. plate no. It was first publicly exhibited at the Bonython Art Gallery in Paddington, Sydney in February 1972 as part of an exhibition titled Portraits and other emergencies. Portraiture for Brett Whiteley was an insight into the psychology of the human condition. His reference to art history, including an image of the famous 1943 William Dobell portrait of Joshua Smith, won a court case against accusations that it was a caricature, not a portrait. Are you being ignored or judged? 26, Sydney, Jun 2014, 26 (colour illus.). 454-457, St Leonards, Mar 2003-May 2003, 455 (colour illus.). In 1989, he and Wendy, whom he had always credited as his 'muse', divorced. Its not the dark, edgy image of a celebrity, but the portrait of an artist. List of works . . He makes no attempt to hide the fact that he is somewhere else He was trying silently to say, stay away, this is not what it might seem. This photograph was taken by Andrew Rankin. 1946) a Sydney- based photographer, opened his own studio in 1968, taking advertising and magazine photographs and working with the Australian Opera and the Australian Ballet. Sebastian Smee, The Australian, 'Smoking thrills', pg. Apart from the mirror portrait, this was clearly inspired by Matisse's Red Studio, with the colour transformed to Whiteley's favourite ultramarine blue. cat.no. By townxycolter. He also spent time in the USA staying at New Yorks Chelsea Hotel, where he associated with counter-culture celebrities such as musicians Janis Joplin and Bob Dylan and in Fiji. (1939-1992 ) One includes Australian artists John Olsen, and John Coburn examining Whiteley's Archibald prize-winning entry. He worked across painting, sculpture and the graphic arts, and is best known for his sensual and lyrical paintings of interiors, nudes and harbour scenes. Further information can be found at http://www.artgallery.nsw.gov.au/brett-whiteley-studio/, Thirty-six looks at four sights on three themes: recent paintings, drawings and carvings, Bonython Art Gallery [Sydney], Paddington, 24Oct197515Nov1975, Three years on: acquisitions 1978-81, Art Gallery of New South Wales, Sydney, 15Oct198101Dec1981, Two centuries of Australian painting, a selection from the Art Gallery of New South Wales, Orange Regional Gallery, Orange, 19Apr198615Jun1986, Brett Whiteley Art & Life (1995-1996), Art Gallery of New South Wales, Sydney, 16Sep199519Nov1995, Brett Whiteley Art & Life (1995-1996), Museum and Art Galleries of the Northern Territory, Darwin, 13Dec199528Jan1996, Brett Whiteley Art & Life (1995-1996), Art Gallery of Western Australia, Perth, 22Feb199608Apr1996, Brett Whiteley Art & Life (1995-1996), Art Gallery of South Australia, Adelaide, 09May199616Jun1996, Brett Whiteley Art & Life (1995-1996), Art Gallery of New South Wales, Sydney, 02Jul199626Aug1996, Brett Whiteley Art & Life (1995-1996), Tasmanian Museum and Art Gallery, Hobart, 18Sep199617Nov1996, Big Blue - the painted harbour (1997), Art Gallery of New South Wales, Sydney, 21Jun199729Mar1998, Australian icons: twenty artists from the collection, Art Gallery of New South Wales, Sydney, 04Aug200003Dec2000, Affinities: Brett Whiteley & Lloyd Rees (2001), The Brett Whiteley Studio, Surry Hills, 10Feb200108Jul2001, Whiteley & Rees: more affinities (2006), The Brett Whiteley Studio, Surry Hills, 03Dec200510Apr2006, Whiteley & Rees: more affinities (2006), New England Regional Art Museum, Armidale, 29Apr200602Jul2006, 9 shades of Whiteley, Gold Coast City Art Gallery, Surfers Paradise, 12Jul200807Sep2008, 9 shades of Whiteley, Lismore Regional Gallery, Lismore, 13Sep200815Nov2008, 9 shades of Whiteley, New England Regional Art Museum, Armidale, 22Nov200808Feb2009, 9 shades of Whiteley, Newcastle Art Gallery, Newcastle, 14Feb200926Apr2009, 9 shades of Whiteley, Bathurst Regional Art Gallery, Bathurst, 01May200914Jun2009, 9 shades of Whiteley, Mornington Peninsula Regional Gallery, Mornington, 02Jul200923Aug2009, Iconic Whiteley (2009-2010), The Brett Whiteley Studio, Surry Hills, 12Sep200922Aug2010, Brett Whiteley - Connections (2010-2011), TarraWarra Museum of Art, Healesville, 06Nov201019Mar2011, Blue (2011), The Brett Whiteley Studio, Surry Hills, 09Jul201108Jul2012, Destination Sydney, Manly Art Gallery and Museum, Manly, 05Dec201514Feb2016, Brett Whiteley: Lavender Bay, The Brett Whiteley Studio, Surry Hills, 25Oct201915Mar2020, Brett Whiteley: Blue and White, The Brett Whiteley Studio, Surry Hills, 30Apr202227Nov2022, Barry Pearce et al., Brett Whiteley education pack, 'Return to Sydney and Lavender Bay', Sydney, 1995, (colour illus.).