It was like a storage area.” Aside from chairs, Michele’s collections currently include a battalion of miniature portraits, a litter of Meissen porcelain pugs, a flight of Viennese painted birds, and a flutter of more feathered birds twittering away in Georgian gilded-cage musical boxes.The couple also have a country house, where Michele worked in scenic isolation on the designs for his debut collections.

And I’m having a lot of fun.”The latest fashion news, beauty coverage, celebrity style, fashion week updates, culture reviews, and videos on Vogue.com.

The duplex, on the 50th and 51st … Civita di Bagnoregio is an impossibly picturesque village two hours north of Rome, perched fantastically and precariously on top of a little mountain peak—like a landscape seen through the window behind a da Vinci Madonna.In the late seventeenth century an earthquake killed 32 people here, and since then the mountain’s volcanic rock has crumbled away by slow (and sometimes dramatically rapid) degrees until the village is now a fraction of its original size. “I thought, Why should I look for someone else when he can translate the heritage—and when the values of Gucci are in his veins?”Giannini left before her fall 2015 menswear presentation, which was apparently runway-ready, and so Michele hit the ground running: It was said that he had only a week to create a replacement men’s collection. Don’t care about the money.’ I risk a lot, too,” he adds,This was certainly no seamless aesthetic transition: Michele entirely redefined what Gucci could represent, working in the very contemporary idiom of eclectically mismatched separates with a quirky vintage flavor, along with precious accessories that he likens to the relics of saints.“It’s not easy to live now,” he says. It takes the breath away.“This is the real Rome,” he says proudly. It’s about sensuality now. And I’m having a lot of fun.”The latest fashion news, beauty coverage, celebrity style, fashion week updates, culture reviews, and videos on Vogue.com.

Guccis new creative director, the unknown Alessandro Michele, is a lot like the woman he champions: daring, curiously compellingand with a streak of mystery and eccentricity. When I started the first collection, I was thinking not in terms of fashion but in terms of attitude,” he adds, “that sense of beauty which I tried to find for an old and beautiful and charming brand like Gucci.”The garrulous and engagingly unprocessed Michele is still wreathed in wonderment at his new role. My apartment is full of antique pieces, but I put everything together like a modern installation.”He shares a poetic eighteenth-century garret with his partner, Giovanni Attili, an urban-planning professor recently returned from working with the indigenous Haida Nation in British Columbia. It was like a storage area.” Aside from chairs, Michele’s collections currently include a battalion of miniature portraits, a litter of Meissen porcelain pugs, a flight of Viennese painted birds, and a flutter of more feathered birds twittering away in Georgian gilded-cage musical boxes.The couple also have a country house, where Michele worked in scenic isolation on the designs for his debut collections. . “But I also need to travel. “We are really such different people,” he says. “It’s when I understood what a big company it was,” says Michele, who now counts some 70 designers on his staff. Ford centered it in London, where he lives, while Giannini moved operations to Florence (birthplace of Guccio Gucci, who founded the company in 1921)—and much of the business side is based in Milan, where the company is in the process of relocating to a Mussolini-era aircraft hangar where Michele will stage his collections. “A supercrazy lady, from this superstylish movie world,” as he remembers her. “I love couture, but the other side of me loves the street, and I think the mix of these two can create something new. Sign in to check out what your friends, family & interests have been capturing & sharing around the world. “I wasn’t even on the list,” Michele says, referring to the presumed roster of high-profile industry talents whose names had been bandied about for the coveted job.Di Marco’s replacement, Marco Bizzarri (who had earlier doubled “Fashion is about creating emotion—it’s not necessarily rational,” explains Bizzarri, whose first scheduled hour-long meeting with Michele—at the designer’s apartment—segued into three hours discussing the future of the brand. So I wanted to present an idea of something romantic, in dream time—like in a movie.” He is also enjoying working with what he describes as “the Pop symbols of the company”—elements like the double-G logo and the company’s trademark striped athletic ribbing.Michele’s mother was the first assistant to an executive at Rank films, a British company with studios in Rome. And real eccentricity is still very much alive with the English—the kids in the East End, beautiful English old ladies.” He also loves contemporary Los Angeles dressing (“the way they put things together—it’s not chic, but it’s inspiring”) and New York, where he shops vintage stores and where he will present his 2016 resort collection—“a couture show in a garage,” as he explains. It was commuted to 26 years and she was let out on parole after 15Patrizia in May this year, when she released her autobiography.
The duplex, on the 50th and 51st floors, is currently rented out for $60,000 a month.

“I’m very inspired from the past,” says the man who calls his work “fake vintage” and washes many of his fabrics to give them a patina. I have to say that he is crazy—he said, ‘Do whatever you want. “It’s not exactly true,” Michele tells me with a wry smile. Michele, though, prefers Rome. He might cite Jane Austen (“I try to find the right dress of a modern Emma”) or the weird pastel film quality in an old Fellini movie.

Right: Her former husband Maurizio in the early 1990s, before he was shot dead by Patrizia's hitman

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