And the third enables us to capture residual value that is almost always remaining when a film must be moved out of an under-screened environment to bring in the next title. Subscribe now for monthly editions, awards season weeklies, access to the Screen International archive and supplements including Stars of Tomorrow and World of Locations.2020 film festivals and markets: latest dates, postponements and cancellationsCinema reopening dates around the world: latest updatesInternational box office: ‘Tenet’ grows global market as rival titles flourishUK’s Number 9 Films to adapt punk icon Viv Albertine’s memoirsHow are international buyers navigating the autumn festivals?International box office: ‘Tenet’ grows global market as rival titles flourishChina box office: ‘The Eight Hundred’ pulls in $69m on second weekendEmmys spotlight: composer Antonio Gambale on scoring Netflix’s ‘Unorthodox’‘Arracht’, ‘Rosie’ lead bumper Irish Film & TV Academy nominationsEmmys spotlight: Why ‘The Morning Show’ is more than just the first great #MeToo dramaAt a glance: film industry coronavirus creative, social and financial support initiativesThe Centrepiece interview: The Match Factory’s Michael Weber on audience confidence and working with auteurs Venice 2020 preview: Screen’s guide to the Competition titles
Imagine what we could do together if theaters and distributors did more to pool their shared data in efforts to reach theatergoers. Based on these discussions, we envision three duplex scenarios:  1) day-and-date on both a physical and virtual screen on opening day, 2) a right-sized physical opening followed by expansion to a theater’s virtual screen, and/or 3) using the virtual screen for move-overs. It seems to be a beautiful new beginning, but soon the hapless Abel finds himself embroiled in all sorts of drama: the come-ons of a...  See (and scroll down), Ira cites widespread disappointment with the number of tickets sold. In a deft tragicomic performance, Jess Weixler (Teeth) plays Mabel, a movie star “slumming it” in an outré art-horro...  A comedy satirzing British society by following the Queen's visit to a local hospital on the day of a mad scientist's inaugural experiment. New signups will receive a limited time coupon for an additional cart discount.

While vacationing off the coast of Central America, a group of college students are kidnapped by a rebel death squad who announce plans to execute the hostages.

The first scenario maximizes the return on opening week investment. Well into their 30s, Juan Nuñez (Gael García Bernal) and Benjamín Wilson (Leonardo Ortizgris) still can’t seem to finish veterinary school or leave their parents’ homes.

Epicentro is an immersive and metaphorical portrait of post-colonial Cuba, where the 1898 explosion of the U.S.S.

There he meets Sigmund Freud, a regular customer, and over time the two very different men form a singular friendship. Already, we are developing customized offerings such as theater-curated playlists, package-pricing and season-passes, and the option to buy tickets at half-price to distribute to members or resell. We did not design our virtual cinema platform with the intention of capturing user data.

This story of a 14-year-old Cambodian sold into forced labor on a Thai fishing boat is a passionate testimony against social injustice and a moving coming-of-age tale about a boy whose humanity... 

But when the superstar cast begins feuding, the production takes a murderous turn.

Kino Marquee is a new initiative that creates "virtual cinemas" for temporarily closed independent theaters.

We did not design our virtual cinema platform with the intention of capturing user data.
We have built out an automated payment system that reports and pays theaters on a monthly basis. To our surprise and delight, we did capture a list of cinephile email addresses, many of whom chose to opt-in to our house list. This controversial and explicit coming-of-age tale is...  Who will pay for it?

Theaters soon recognized that they too had to aggregate multiple revenue streams, and rather than take films “off-screen” when sales dropped off (which is what we assumed would happen as it does in physical exhibition), most theaters chose to keep all films on-screen indefinitely, leading to diminishing returns per title over time as they focused their marketing solely on new releases.


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