Youth of America

Today, we revisit the gnarly, psychedelic, and insurrectionary sound of the Portland punk band’s best album.Ronald Reagan talked about fairness a lot. When the guitar skitters back in, it’s at first noisy yet deferential to the words, clanging back on its first motif with tinny, sinister restraint; it feels like a dramatic battle between instrument and vocalist, a battle for the soul of the track—and perhaps the listener’s, too. More of the same diminishing returns: Sage groans the title, and his guitar sputters out strangled, pitiful half-lives of the previously robust melody. The guitar ultimately regains its full audacity—mirroring Sage’s voice while it also gains intensity, screaming, “Will you be laughing when it’s over?”—and the song ends on its miserable questions, asked at a fever pitch.

Not everyone was pushing out Punk had never quite shown its seams like this before, its questioning of itself and its construction; it had never felt like such a righteous search for answers that was more concerned with asking the questions. The post-punk freefall stretches and seethes for nearly two indulgent minutes before the floor drops out, leaving only minimal bass and guitar; Sage stomps back to the mic to intone more civics: “The rich get richer and the poorer get poorer. The third act crumbles exactly as the narrator predicted, leaving the audience to stew in their own complicity. In Mirroring Sage’s outlier status: Portland itself. All Rights Reserved. Koupal and Naish’s rhythm section’s stevedore bass section falters. Sponsored by Toyota, five regional events and one national military event will take place throughout August and September and will conclude with the National Youth of the Year Celebration on October 6; Events will feature special celebrity guests and youth talent from Boys & Girls Clubs across the countryEach of the five regional Youth of the Year events will award two Club teens – one from a traditional Boys & Girls Club and one from a BGCA-affiliated Military Youth Center – with each receiving The highest honor a Club member can receive, the 2020 National Youth of the Year winner will receive a For more information and to donate to a celebration in your region, please see below: Founded in 1947 as Boys & Girls Clubs of America's premier youth recognition program, Copyright © 2020 PR Newswire Association LLC. The track’s remaining five minutes are an inversion of the kraut- and psych-rock leanings from earlier in the record, when repetition bred power. In Youth of America ’s title track, Sage yells to a generation, his voice raw and unaltered, “The walls are coming down/The walls are crumbling down … The simultaneously thriving post-punk and no wave scenes had also taken mallets to the conventions of punk, but they’d had no problem casting aside the politics and guitars, as well. Each Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible.

In “Youth of America,” pointedly, repetition only underscores the futility of inaction: What could these kids expect, if they did nothing? Nothing is solved. It was released in 1981 by record label Park Avenue. Youth of America is the second studio album by American punk rock band Wipers. When he wasn’t dismantling corporate accountability, scorning the AIDS crisis, or staging When Portland’s Wipers released their second album in May 1981, the shadow of Reagan’s conservatism was only beginning to spread. A

“In the land of dreams, I find myself sober/Wonder when it’ll all be over,” he moans. It’s a frantic prophecy of undoing that simply wouldn’t translate to brevity; “Youth of America” defends every moment of its 10 minutes and 27 seconds, maintaining its fearsome intensity and leaving an ominous chill in its wake.Get the Sunday Review in your inbox every weekend. But the writing was on the wall: He’d spent his first 100 days shoving through so many revisions to tax policy and restrictions on federal power, he was accused of By this time, also, the “youth” in question had already heard plenty of punk—enough for its most stinging, mutinous qualities to have calcified into a formula. Far removed from the switchboards of American punk—New York, D.C., L.A.—the Pacific Northwest wouldn’t become a rock destination for another decade. Boys & Girls Clubs of America will host its 2020 Youth of the Year Celebrations virtually this year, with the first regional event kicking off on August 27, 2020. Until a Hearing it feels like opening a window and letting cool air rush in—there was space in punk songs for Minutes into “When It’s Over,” when the guitar cedes to Sage’s voice, the transition is abrupt enough to almost feel bashful, a second-guessing of the kind of ego that allowed that irreverent open; piano supports his low, Bauhaus-worthy gothic grumble, so deep the ear must strain to make out his laments. In The track likewise threatens to collapse on itself midway, in spirals of funhouse feedback and ghostly echoes of melody that suggest psychotropics and exhaustion in equal measure. Sage seems to acknowledge this on “Pushing the Extreme,” which has a taunting, declaratory quality absent from much of There’d been many hollow promises of better futures by the ’80s, but the decade’s problems demanded swift and decisive rebellion. Now there’s no place to go,” he mutters dourly. The stakes rise and never resolve; Naish adds a clawing, claustrophobic pulse. Punk, while still radical in its political messaging, was moving decisively in one direction: shorter, faster.

Tensions end flared.Of the available ways to convey numb detachment from society—many already explored by the inaugural ’77 punk class, from Of course, posting questions and passing judgments alone can backfire.

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