Originally recorded as a piece of album filler – White’s label were more interested in turning him into a mainstream sensation – ‘Love’s Theme’ is now remembered as one of the greatest disco instrumentals of all time. The hurt in my voice is real. According to Tim Lawrence – who wrote attacked the strings of his cello with a coconut shell” during the strange, stream-of-consciousness recording sessions. “If you can pass the untrained eye and not give away the fact that you’re gay, that’s when it’s realness,”‘Got To Be Real’ is an anthem that features prominently in that same documentary, and beyond the ballroom, Lynn’s debut single was an instant smash with a whopping great key-change to boot. And ‘Love Sensation’ – a number one hit on the US Hot Dance Club Play Chart – is Loleatta Holloway at her euphoric best.

They would later decamp to New York, where they became The Salsoul Orchestra for the now-iconic label, but before relocating, MFSB released an album under their own name in 1973.The shimmering pinnacle of that release was the title track, ‘Love is the Message’ aka. Which was more or less right.”Like all classics, ‘Stand on the Word’ comes with its own tall tale. and then flamboyant drag queen Sylvester, who stands out as the ruling Queen of Disco.Sylvester was in several groups, with varying levels of success. This classic defines excellent club/disco…
Put Your Money Where Your Mouse Is: The Best Gaming Mouse Pads When the pair went rummaging around in the basement of 20th Century, they rescued the record from otherwise certain doom.

The best disco song for me. The power we had was phenomenal!”Barry White formed The Love Unlimited Orchestra- complete with forty-piece backing orchestra – and their seamless blending of cinematic string elegance with strutting funk helped to define the entire decade. Appearing – appropriately enough – on her album ‘Nightclubbing’, it’s an instant floor-filler, sneering and strutting til the end. The American singer penned the track alongside the father son duo Marty and David Paich (David is also a member of Toto) and it also features Ray Parker, Jr. – who wrote the Everyone knows the joyous parps that kick off ‘Young Hearts Run Free’: an easy pick for guess-that-intro. Siano first bagged himself a copy of MFSB’s ‘TSOP (The Sound of Philadelphia)’ during a meeting with CBS records, but only noticed the other side of the record when a mate’s boyfriend asked to put on a song during one of Siano’s weekday nights DJing at Le Jardin. Formerly the lead singer of Harold Melvin & the Blue Notes – the group responsible for ‘Don’t Leave Me This Way” and “If You Don’t Know Me by Now’- the Philly musician left the band, launched a solo career, and became one of disco’s best-known hunks. A remarkable feat from a man who adored music, the 2019 documentary is vital viewing when it comes to learning more about the late icon’s life and work.Named after a high-speed express train which strung together 130 cities across Europe ‘Trans-Europe Express’ came at a time when technological developments were helping to melt down limitations. Released around the same time as Stevie Wonder’s ‘Songs in the Key of Life’ – sharing the same lush orchestration, and drenched in soul – ‘Stop and Think’ takes that particular prize. Soon, Clinton’s two acts blurred together into a musical portmanteau – which Clinton dubbed Bootsy [Collins’] Rubber Band and The Brides of Funkenstein, A Parliafunkadelicment Thang was shortened, and new scene was born. Send us a tip using our anonymous form. Drive safely!Oh, so admittedly Daft Punk’s ‘Get Lucky’ arrived several decades too late for an airing at Studio 54 (fun fact: Nile Rodgers wrote Chic’s ‘Freak Out’ – originally called ‘Fuck Off’ – after he was refused entry there) the Daft Punk track, which features Rodgers and Pharrell Williams, still ranks as a disco smash hit. The ballroom sub-culture served as a place of refuge for young LGBT+ people – many of them from black or Latino communities – to seek out a new family after being kicked out of their homes.

After producer Theodore T. Life heard the 16-year-old belting songs out in the toilets, she was signed on the spot. This song now going on 35 years old, is STILL years ahead of itself! Click through to see your selections. When you think "disco," what comes to mind?

Disco Songs Playlist - ... We recommend you to check other playlists or our favorite music charts. “Eno came running in, and said ‘I have heard the sound of the future’” recalled Bowie. Shep Pettibone’s remix quickly became a staple of ballroom culture after it was bootlegged around New York’s various balls, and way further down the line in 1990, ‘Love is the Message’ would inspire his production on Madonna’s Testament to the increasing taste-making powers of DJs in the 70s, the masterpiece of ‘Love’s Theme’ might’ve ended up in the bin if it wasn’t for Nicky Siano and David Rodriguez. Dodging flung underwear at the women-only shows he hosted was a regular occurrence; fans would frequently pose as hotel maids in an attempt to get closer to the star. What are the best Disco songs? The 70s were defined by the mirror ball and disco lights, and the fast pace of catchy 70s dance songs. For the recording of ‘One Nation Under A Groove’, they took a giant spaceship prop from tour with them into the studio; free-wheeling party backed with musicians free to jam and improvise.Selling one million copies, ‘One Nation Under A Groove’ is easily Funkadelic’s biggest hit, and borrows its name from something that two young fans said to Clinton after a show in Washington DC. 5th June 2019. And despite Candi Staton’s track being an instant dancefloor filler, there’s darkness beneath the euphoric exterior., speaking about the personal circumstances which inspired the song. the classic to end all classics. With a raw and powerful voice – bursting with passion and soul – Teddy soon became a sex symbol. The two young women who came up with the expression – Darlene and Tanya – are credited on the cover of the record.

Holding their studio stints exclusively during full moons, and hoisting Klipschorn loudspeakers down from The Loft into their studio, the duo also invited Loft regulars along to party at the all-night recording sessions. D’Acquisto immediately marched down to West End Records, and demanded funding to record with Arthur Russell.


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