We will retain information submitted to us … It’s called a golden mole and it’s about the size of a ping pong ball.

So I look at the individual sequences which are going to make up the film and then try and work out how we’re going to weave those together to tell (the audience) about what it’s like to live in a desert so before I go out I know what the sequences are and how they’re going to fit into the story and what we’re trying to say over each of those sequences.

Edward Charles Richards (born 29 August 1965) is a Managing Partner at Flint business advisory , and previously was the Chief Executive of Ofcom, the independent regulator for the communications industry in the United Kingdom. I’m more used to filming in cold temperate climates like Alaska and the Falklands, so the heat of the desert took quite a lot of getting used to. It is only available inside the BBC network.Your use of this version of Genome is covered by the http://genome.ch.bbc.co.uk/d4b339826e1f4e1ea07ed68bc9c787be about this programme and would like a response, BBC Earth. It’s a real problem because you go out with a very specific story in mind and either the animals aren’t doing what you need them to do or the weather doesn’t co-operate… and those are the shoots where you earn your money because you either somehow make it work, or you try and come up with another story completely off the bat, which is not easy.Tricky customer: a burrowing owl (Athene cunicularia)Yes ideally. I work on large scale ‘blue chip’ shows without a presenter, 3 years in the making, that kind of thing. Do you know something about this programme that we have not included above?At present this site reflects the contents of the At present this site reflects the contents of the published Radio Times BBC listings. BBC News provides trusted World and UK news as well as local and regional perspectives. We found a fantastic story in Niger, for example, but I couldn’t sanction a trip there because we would have needed armed guards and the risk of kidnapping meant it was understandably not worth it.I haven’t had any complete clangers that haven’t worked but I did a shoot on That is one of the main difficulties with wildlife filmmaking- animals don’t read scripts! Ed Charles Location Stories.

is made available for internal research purposes only. This is a images and articles as well as the programme listings from the Radio Plus, we get to sit in a room and drink tea and eat biscuits which is always nice.Yes, we all have a team working on the show so generally there’ll be a producer, an assistant producer and a researcher and you’ll divide up the shoots between you. We’ve got a fantastic lion sequence shot by two very talented people. the BBC’s broadcast history to life, but we will As I say, it doesn’t always work out but by and large, that’s what we try and do.We’re not running out just yet, certainly the ratio of new stuff is getting smaller but the science community is our biggest ally, without scientists and contributors giving us information, helping us get the shots and putting us in the right place, we would be scuppered.There are a lot of independent companies out there and, by and large, whoever finds the stories and gets in touch first will get the ‘rights’ as it were, but it depends on the scientists and the contributors. I mean, obviously going off and going around the world shooting is really fun, but we’re in the creative bit now where we get to craft the film that we’ve been making and working towards for the last 3 years. information submitted to us for possible future use,

Charles Nove.

As a producer I’m in charge of the purse strings so that is a big factor.Yes, it’s my job to bring the film in on budget, I have to look at the kit we might want to take because you have to rent the kit, or purchase it, excess baggage is phenomenal, in extreme cases it might be a ton of kit to each location for a 2 or 3 week shoot, so although it’s nice to take all the toys, you have to be realistic about what we’re actually going to use and which ones are going to deliver shots in an exciting way.Mostly but not always, occasionally you might send a cameraman out on their own if it’s somewhere they’ve been before or its it’s local to where they’ve live.

obtain the relevant third party permissions for any use, including use in BBC Radio 2, 9 January 1994 1.00.

It meant that we were able to film this lovely mole in a way that not many people will have seen before, that’s very endearing. programme, research a particular person or browse your own involvement

It’s absolutely epic and we filmed it in a way that you might not have seen before. It should be viewed in this context and with the I have to wear a lot of hats being a producer- it’s part travel agent, part logistical nightmare, the creative side of it is actually a relatively small part of the job, but certainly, before we start filming we watch films that have been made before, find out who the lead scientists are who are working in a particular field like desert ecology, work out what the key species are.

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We’ve actually just finished filming ‘One Planet’, though it might be called ‘Planet Earth 2’, and we’re now in the edit, which is the fun bit really. We went to some very remote rural communities looking for them, and one by one we all got sick because of the local street food.The locust sequence captures one of the largest swarms that has ever been recorded on film.

Stories that were done for ‘We have to be pretty prescriptive. We’ve got a cameraman who lives just outside Yellowstone and he’s doing a shoot for the ‘mountains’ show on his own because he knows the place like the back of his hand. They managed to get access to this pride in Namibia, true desert lions who live right in the sand dunes. The sequence they shot shows the lions trying to take down a giraffe, which was epic.

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